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TOMO Nara adds plenty of joy to any logo, layout or UI. Geometric shapes and a funny look come together in this font – thus, Nara might be the perfect choice for toys, books, packaging, posters or even webapps! Let’s have some fun!
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Pixel Grid is a font that lets us know that we have entered the digital age. We know about grid systems from the very first computers and electronic LED boards. Pixel Grid offers three types of grid resolution as well as many incarnations of individual segments. It is an electronic game: characters can be animated, overlapped, and played with in different ways. If you need a font that is strictly technical in nature, you can use
tried-and-true square and round points. You can save ink by using them on receipts, for example, so the font can be used sustainably. Pixel Grid is suitable for engraving, or it can be used as a stencil. This complete font family aims to gain an extensive selection covering the early digital font style, facilitating the use of the style in professional applications today.
Specimen:
http://carontwice.com/files/specimen_Pixel_Grid.pdf
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| Download Pixel Grid Fonts Family From Caron twice |
Jessie Neue in a new Serif typeface inspired by popular '70s fonts mixed with grotesque touches.
It has ligatures that make it more elegant and grotesque elements that give it a modern look and make it more versatile. Jessi Neue has a great performance in large body texts and also in high impact headlines. The family has four weights and also a variable version to give more creative freedom.
It has 667 characters that covers the following languages: Basic Latin, Western European, Central European, South Eastern European, Vietnamese, Pinyin and Basic Greek.
The italic version will arrive soon.
Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits.
Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll.
In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design.
Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.
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Mirtha Display is a clean and elegant decorative font with 40+ ligatures and the ability to create chains (make a shape in Illustrator, type @@ to form a link on it and there it is, an editable chain).
Inspired in art deco but with a modern touch it works perfectly in short headlines. It comes in two weights with italics and it has flexibility to perform well within retro or modern designs and can serve in a wide range of projects from posters to branding, logos, packaging, magazines and more.
Mirtha Display extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Basic Greek and more.
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| Download Mirtha Display Fonts Family From Nois |
Monesta® is a confident smooth serif font family. Designed by Aulia Rahman, Monesta® it creates a sense of softness and expressiveness. the concept into usability focused direction, to work as a bold tool and beautiful communicator.
Monesta variable allows design across 9 weights, major Latin based languages, and Cyrillic. Monesta® bringing energy and making it suitable for modern design.
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Along Slab WORK is a elegant Slab Serif font family, which designed by Ryuld Davidson of the Brenners Template.
It retains the skeleton of the Along Sans S2(https://www.myfonts.com/fonts/brenners-template/along-sans)
Especially, all italic styles were rhythmically redesigned for inspiration of glyphs.
This font family has a unique personality for each style and will help a designer's choice.
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Fraktion Mono is a semi-technical grotesk and the fixed-width complement to Fraktion Sans. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions and slashed zero. Fraktion Mono works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Fraktion Mono is manually kerned and auto-hinted for crisp display on screen.
Katerina P Rounded was designed by Nikolay Savchuk. Katerina P Rounded is a modern versatile sans-serif typeface. What differentiates Katerina P Rounded from the other fonts is an exceptionally distinctive design. It is brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.
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This is Berka, a low contrast hybrid typeface which combine grotesque typeface traditions with geometry and a little touch of humanistic . This font family comes in 7 weights from Thin to Black with matching italics.
Each family member of Berka also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported!
Berka will be suitable for many creative projects. With its versatility, Berka typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!
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| Download Berka Fonts Family From Wahyu and Sani Co. |
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Tabularasa is a modern grotesque typeface with an organic aesthetic. It is very legible in small sizes and full of refined details in display sizes.
Furthermore, it features a whole set of stylistic alternates that offer additional approaches for its usage.
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| Download Tabularasa Fonts Family From Christian Gruber |
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Meet Leifa, a confident, timeless and elegant Flare Serif.
Leifa is a versatile companion, perfectly usable for a variety of applications. But especially the areas of branding and editorial design are Leifa's preferred playground. There in particular, the typeface impresses with its look and feel, making the design pleasant and smooth. Take a look at the wonderful lowercase letter /f, or the spiky spurs of the other lowercase letters. That's where the fun begins.
Its flattened serifs and sharp spurs are restrained and almost inconspicuous in copy text, but in display sizes they unfold their potential and provide an organic and humanistic touch.
Designed by Moritz Kleinsorge, Leifa consists of eight weights from Thin to Black with matching italics. Each style has a character set of about 615 glyphs. Four stylistic sets allow an alternative Leifas appearance, there is an option for a single-story /a (ss01), simple /f (ss02), triple-story /g (ss03) and thin punctuation marks (ss04). You will also find a set of ligatures, tabular figures and symbols, case-sensitive forms, fractions and many other features in this beautiful typeface.
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Bienvenue is a quick handwritten font. Written with a brush pen and tidied up for smooth and balanced results. Suitable for social media, instagram, logos, websites, blogs, home decor quotes, wedding decor quotes, invitations, branding, business cards, fashion brand, printing project, book cover, promotion ads, and much more!
Includes a large set of multilingual accent characters.
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| Download Bienvenue Handmade Fonts Family From Siwox Studios |
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Geometris Semi-Condensed was designed by Nikolay Savchuk. Geometris Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Semi-Condensed from the other fonts is an exceptionally distinctive design. Brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.
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| Download Geometris Semi-Condensed Fonts Family From NicolassFonts |
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Say Hello to Nostalgia! A Modern Font with a retro feeling 3 Fonts Regular, Effect and Flowers
You can Access your OpenType features and discover a large choice of alternate glyphs for caps, ligatures swashes and more. This font is very versatile, covering a wide range request, from logos, headlines, branding, magazine design , to wedding cards, poster and so much more.
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| Download Nostalgia Fonts Family From Resistenza |
TT Octosquares is a fresh, revised, expanded, and significantly improved version of our first commercial typeface TT Squares and its narrow version TT Squares Condensed. With all our love for the original font family, it felt there was a lack of functionality, character composition, features, and design freshness, which prompted us to the idea of a complete restart. Now TT Octosquares can be safely called a superfamily consisting of 4 widths (Compressed, Condensed, Standard, Expanded), 72 faces (18 in each width), and 1 incredible variable font in which variability works jointly on three axes.
In addition to working on the contours themselves and their design, we completely revised the composition of the typeface. First, we added two completely new widths: Compressed and Expanded. Secondly, we increased the number of weights in each of the subfamilies—while in the old versions there were 5 weights, now in each of the subfamilies there are 9 weights. At the stage of working with the contours of characters, we revised the roundings, changed the forms of shoulder and stem crossings, added noticeable shelves at the letters, removed the sharpness from the triangular characters and cut off all sharp endings.
From the very beginning of work on TT Octosquares, we planned to make a variable 3-axis version of it sewn into 1 font file. This means that by installing just one variable font file, you get access to three axial adjustment of the font: by thickness, width and inclination. Thanks to this flexibility in settings, you can always choose a custom combination of thickness, width or inclination that best suits your tasks.
Due to the increased language support and the appearance of a bunch of useful OpenType features, the number of glyphs in the typeface has increased from 480 to 825 in each style. Now you can use stylistic alternates, standard and discretionary ligatures, or use old-style figures, numbers in circles and even slashed zeros in your design. Full list of features: aalt, mark, mkmk, ccmp, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, case, zero, dlig, liga, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, calt, locl.
To use the variable font with three variable axes on Mac you will need MacOS 10.14 or higher. For other software and browsers, you can check the support status here: v-fonts.com/support/.
