Bayannur is a typeface published by Monoco Type Foundry inspired by Arabic Calligraphy in Chinese Tradition. This font has extensive Latin script support with many ligatures and stylistic sets, as well as Cyrillic and unique Arabic design with contextual alternates and many ligatures. The glyphs in this font also specifically support Uyghur script typing*. Abdurrahman Hanif, designer based in Jakarta, is currently studying Arabic Calligraphy in Chinese Tradition with Haji Noor Deen and trying to develop this font as his appreciation for this beautiful Art of Calligraphy.
Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives.
Lina type family consists of Lina soft, Lina sans, Lina round.
The design is inspired by the Kufic calligraphic style and influenced by the Naskh style.
Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes.
It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv.
Lina Soft consists of 7-weight versions from thin to bold.
Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives.
Lina type family consists of Lina soft, Lina sans, Lina round.
The design is inspired by the Kufic calligraphic style and influenced by the Naskh style.
Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes.
It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv.
Lina Soft consists of 7-weight versions from thin to bold.
Iwan Zaza is a high-contrast modern Arabic typeface designed by Ahmed Zaza. The design is inspired by the Kufi calligraphic style and influenced by the Naskh style. Iwan balances classic and contemporary tastes with wide open counters and short ascenders and descenders that minimize the hight. And has a high - contrast between the vertical and the horizontal to line up in harmony with Latin. And openType alternates and ligatures set. This makes it suitable for branding, editorial, packaging and advertising.
Iwan features five weights from Light to Black, and supports OpenType features for Arabic, and has a wide glyph set.
An Arabic font designed without specific rules. Its letters are taken from the following Calligraphic Scripts: Sounboli, Naissabouri, Diwani and Thuluth; It contains more than 1,300 additional characters to simulate the real calligraphy and enhance the beauty of the font. Jh Fatina is ideal for greeting / wedding cards, books titles, poetry ....