Showing posts with label contemporary. Show all posts
Showing posts with label contemporary. Show all posts
Telka
Telka Font Family was designed by Yang Lu, and published by BumbumType. Telka contains 36 styles and family package options.

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About Telka Font Family Ideas are diverse and modern applications are complex. Telka is the typeface to answer this contemporary needs, following our studios approach in creating multi-dimensional tools. Characteristic for this typeface is the character-width variation. From the standard, neutral width collection to the wide collection, with its quirky details and strong personality.Telka is in our shop as variable font available.

Telka
Telka



Telka


Maine


Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text.


Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.




Maine


Marithin


Marithin is a New Modern Display Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Marithin have a smooth edges, so this font gives an authentic handcrafted feel style.



Marithin


Bougainville Neo


Bougainville Neo is a complete remake of our popular Bougainville series which first appeared at MyFonts in 2005. Neo is now in 4 additional weights plus italics. The original typeface family was named in honor of the renowned eighteen-century French mathematician and explorer Louis-Antoine de Bougainville to whom we owe the naming of South Sea Islands and colorful tropical flora he discovered along his journey. Bougainville Neo makes for effective headings at any size and is equally readable at semi-display sizes.



Bougainville Neo


Mood Boosters


Mood Boosters Handwritten Font Duo is a perfectly font duo for all your design project needs.

Create your perfect design with Mood Boosters Handwritten Font Duo.

Try this font for all kinds of your business projects like: logo design, business card, mood board, greeting card, magazine ,headline, social media design, watermark and more, and it will all look perfect.



Mood Boosters


Saturday Light


This font was made while listening to The Cure, and taking a trip down memory lane. However, the particular song I had in mind naming the font after, was already taken. But perhaps you can figure out which song I had in mind?



Saturday Light


Bill Poster


A powerful, energetic and exciting condensed typeface. It brings charming curves and satisfying patterns to traditional condensed fonts.


It's designed for impact, without sacrificing style or legibility. It looks especially stunning in large scale, although it still carries a punch at smaller point sizes. It's born to be!


Ideal for magazine, posters, headlines and pull quotes.



Bill Poster


Indigo Antiqua 2


Indigo Antiqua 2 is an old-style humanist serif typeface primarily based on personal studies of a typeface by Francesco Griffo (1450–1518) Italian punchcutter. But it is not a revival of the so called original Bembo (1496) or any other typeface. 


My Inspirations are of various kinds, but some outstanding old typeface masters like Guillaume le Bé, Miklós Kis, Peter de Walpergen and Christoffel van Dijck are important.


Indigo Antiqua 2 is most commonly used for body text were legibility / readability matters – and is a reliable multi-purpose typeface. It has been applied for thousands of book titles and between the book covers made reading comfortable.


By using Indigo Antiqua 2 with OpenType features You can reach additional ligatures, various figure sets, small caps, stylistic options and a lot of other typographical choices. 


Multi-Lingual support: Central European languages and many others. | See www.fontanova.se




Indigo Antiqua 2


Comba


COMBA is a quirky all caps display font that is perfect for display type and contemporary branding. It has just enough eye-catching letters to pull the reader in and make them smile. COMBA also comes with 5 logo templates and a color palette.



Comba


SK Pangramma


SK Pangramma is a modern universal geometric typeface. For greater universality, it was developed in two stylistic variations: sans serif and slab serif. The uniqueness of the typeface is supported by stylistic alternatives that give the character set the spirit of modern typeface design. The SK Pangramma typeface is named this way because it supports more than 200 languages, including the Extended Latin Alphabet, Cyrillic, and even Greek. Thanks to a wide range of characters, alternatives, and two stylistic variations, the typeface is great for design projects of any complexity, no matter whether it is printed products or web design.



SK Pangramma


Mumford


Mumford began as a revival of the early designs for sans serif fonts of the late 19th and early 20th centuries, but along the way it morphed into a reinterpretation of this style and it adaptation to more contemporary shapes.


It's strong contrast, signature of the design, works along it 9 weight variables each with their corresponding oblique. Each variable includes extended language support (+ Cyrillic), fractions, tabular figures, ligatures and opentype features.


Mumford was design with strong graphic display design in mind, perfectly suited for poster, magazine headers, titles and editorial design.



Mumford


Accia Moderato


Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy.


The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.


Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderano, and Accia Forte.



Accia Moderato


Accia Moderato


Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy.


The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.


Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderano, and Accia Forte.



Accia Moderato


Gladies


Gladies is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Gladies have a smooth edges, so this font gives an authentic handcrafted feel style.


Gladies is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc



Gladies


Plethora


A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later. 


Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “Plethora”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries later. Available in 9 weights, from roman to italic, and also as variable format, “Plethora” supports plenty of latin languages and is a perfect choice for today’s design tides.



Plethora


Halfway There


Halfway There… We love to go camping as a family and we usually go to France (because France is only a 5 hour drive from where we live, it is usually sunny and they have the best bread in the world - enough said!). Somewhere around Lille, or Luxembourg City (depending on our destination in France), the kids always ask: ‘are we almost there?’ and my answer is always: ‘we’re halfway there!’.



Halfway There


Phone Pro Hebrew


Note: the “Phone Pro Hebrew” typeface, includes just the Hebrew characters of the comprehensive “Phone Pro” family font, sold separately [on this MyFonts site], so they are economical for those interested just in the Hebrew Characters.


And regarding the “Phone Pro” project in general, this is what I wrote:


This font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an ‘individual character’—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole.


Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders.

The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of “Soft Fonts & Friendly Faces”.



Phone Pro Hebrew


Download Acris Fonts Family From Andrey Sharonov
Download Acris Fonts Family From Andrey Sharonov Download Acris Fonts Family From Andrey SharonovDownload Acris Fonts Family From Andrey Sharonov



Acris Serif is the rich and gracefull font designed in two weights for expressive and luxury projects.


If it's had gender, it would be a woman — beautiful but with character like rose with thorns.

Acris Serif is very good looking in Big Tittles, Magazine design, Branding, Logotypes, Posters, Wedding invitations, romantic cards and others.


This typeface comes with special features like Stylistic Alternates and Discretionary Ligatures.

The easiest way you can get Alternates is to add for example number 2, 3 or 4 after character. For this option be sure that bottom named Standard Ligatures is activated in Opentype panel.


Multilingual Support


Acris support Western European characters and works with following languages: English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish.



Download Acris Fonts Family From Andrey SharonovDownload NowView Gallery


Download Suprapower SE Fonts Family From Hanken Design Co.
Download Suprapower SE Fonts Family From Hanken Design Co. Download Suprapower SE Fonts Family From Hanken Design Co.Download Suprapower SE Fonts Family From Hanken Design Co.



Suprapower™SE is a wide typeface for poster, packaging, headline, and titles. It is an update to the Suprapower™ typeface.



Download Suprapower SE Fonts Family From Hanken Design Co.Download NowView Gallery


Download Clarks Fonts Family From PintassilgoPrints
Download Clarks Fonts Family From PintassilgoPrints Download Clarks Fonts Family From PintassilgoPrintsDownload Clarks Fonts Family From PintassilgoPrints



Clarks is a modular typeface built from a work by Lygia Clark, one of the giants of Brazilian postwar art. 


Packed in a font equipped with clever OpenType programming, there are at least 7 different designs for each letter, thus allowing, or rather, proposing, boldly unconventional compositions. 


The font is programmed to cycle all these different lettershapes, avoiding repetition. The user can also manually pick up preferred forms in a glyph palette. There are choices to both keep and to defy readability and it's almost hypnotic, to play with these.


Lygia Clark used to invite viewers to touch her works and so we did with her 'Planes in Modulated Surface no. 4', from 1957: we fragment it and turned and inverted and recombined it. Now we return it as audacious typography and invite you to put it to work in your designs. Keep it bold and have fun! Cheers!



Download Clarks Fonts Family From PintassilgoPrintsDownload NowView Gallery